Die Meistersinger review – some fine solo turns but Wagner’s score is done few favours

Saffron Hall, Saffron Walden
The ambitious Saffron Opera Group’s concert performance of Wagner’s opera had lost its leading man, but the orchestra proved more of a problem

Outside, interval conversation involves the intermittent roar of aircraft landing at nearby Stansted. Inside, you might enjoy a drink next to the school office and pop to the Year 10 and 11 toilets. We’re a long way from Bayreuth. But 11 years after opening, Saffron Hall – funded by philanthropy and nestled in an Essex state school – remains a gem of a 730-seat venue with a warm, bright acoustic. Its programming is ambitious, drawing big names in classical music and beyond; ticket prices generally start at under £20.

Those achievements pale in comparison to the ambitions of Saffron Opera Group, established to produce opera in the new hall. Their launch was a concert performance of Wagner’s Die Meistersinger featuring professional soloists and local instrumentalists and choral singers. Since then, the group’s programming has included a full Ring cycle. Now, for its 10th anniversary, Die Meistersinger was back, boasting bass-baritone Paul Carey Jones – fresh from acclaimed performances in Longborough’s Ring cycle – as Hans Sachs. Unfortunately, Carey Jones was unwell and unable to sing. Other singers were shuffled and Sachs was shared between young bass William Stevens (Acts 1 and 2) and old hand Andrew Greenan (Act 3), who took the role in 2014 and who warmed up as Pogner in Acts 1 and 2. Continue reading...


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